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Mike Mettler

Mike Mettler

Contributing Editor
Author/Co-Author of 209 articles

Mike Mettler is the music editor of Sound & Vision, where he also served as editor-in-chief for 7 years. His writing has appeared in Guitar Player, Palm Springs Life, Car Stereo Review, Technology Tell, and UniVibes (a Jimi Hendrix quarterly published in Italy). He also interviews artists and producers about their love of music and high-resolution audio on his own site, The SoundBard (www.soundbard.com), and champions the merits of high-resolution audio as the chief content officer of Hi Res Audio Central (www.hiresaudiocentral.com). In his alleged spare time, he dreams of owning a fastback 1967 Mustang.

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The Revolution carries Prince’s purple flag forward … with a little more bass

The Revolution discusses the Purple Rain band’s studio techniques when recording with Prince, the missing bass on When Doves Cry, and what’s next.
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What does it take to craft 50 Star Trek aliens from scratch? Ask Joel Harlow

The otherworldly aliens of ‘Star Trek: Beyond’ didn’t just show up at casting – someone had to design each and every one. Master makeup designer Joel Harlow shares what it took.
The Audiophile: Santana IV

Carlos Santana says if you’re not willing to die for your music, be a plumber

Santana IV brings together musicians who hadn’t played together for 45 years. On the new album, the people who created such worldly wise tracks as Oye Como Va and Black Magic Woman show conclusively that age ain’t nothing but a number.
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Vinyl’s revived. Streaming thrives. But can musicians survive?

Tapes killed vinyl. CDs killed tapes. Now streaming has killed CDs and vinyl is … back? We explore the evolving technology of music, and why, for some musicians, nothing has really changed, even as everything has.
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The star of Banshee on why the cult-favorite series will end on May 22

We talk to the star of Banshee, Antony Starr, about the end of the series, his character, and his thoughts on social media.
The Audiophile Tal Wilkenfeld

Bass prodigy Tal Wilkenfeld can’t be bothered with your petty laptop speakers

As prepares for her upcoming solo LP, Tal Wilkenfeld discusses the new album, high-res recording, and revelations she’s picked up from legends like Jeff Beck.
The Audiophile Kirk Hammett

Metallica’s Kirk Hammett stomps on Spotify’s inferior sound

We speak with Metallica’s Kirk Hammett, who tells us about his love of vinyl, why MP3s sound so bad, and the awesome new guitar pedal he designed.
The Audiophile Asif Kapadia

Amy Winehouse’s legacy gets rehab in Asif Kapadia’s revealing documentary AMY

In his new documentary AMY, Asif Kapadia unravels Amy Winehouse’s life story to expose a legacy that’s more than simply tragic.
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Rave, Reich, and Roll: Exploring the dark themes in ‘The Man in the High Castle’

Digital Trends sat down with key members of The Man in the High Castle cast at the New York Comic Con to discuss how best to watch the show, its deepening cultural impact, and what its future may hold.
Better Call Saul

Bob Odenkirk tells us why he’ll never write an episode of Better Call Saul

Digital Trends speaks with Bob Odenkirk on what he thinks of Better Call Saul Season 2, where the show is headed, and his new Netflix show, W/ Bob & David, a return of Mr. Show.
Blindspot Interview

Every episode of Blindspot has already been inked … on its main character

Who would have thought a tattooed woman emerging naked from a bag in Time Square would create so many story ideas? The cast and creators of NBC’s Blindspot explain why it’s blowing up.
The Audiophile Roger Waters

Pink Floyd’s Roger Waters continues to tear down walls, now on the big screen

Pink Floyd’s Roger Waters knows how to put on a show – and a new film documents exactly how he did it during the epic, three-year-long The Wall tour.
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Musical hieroglyphics, recreating the ’80s, and drumming on a baby belly with Lights

Canadian-born electronic artist Lights knows a thing or two about recording, and she wasn’t afraid to take the controls on Little Machines, her latest album.
Strike Back

An adrenaline-crazed cast looks back as Strike Back detonates its last season

Strike Back brought the over-the-top intensity of ‘80s action movies to the small screen, and after four years, it’s finally coming to an end. We spoke to actor Philip Winchester about the show’s final run.

Denis Leary on becoming a rock & roll frontman, and why he hates vinyl

We speak with Denis Leary and Elizabeth Gillies about their new show on FX, ‘Sex & Drugs & Rock & Roll’ and how annoying vinyl records were.
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Kick out the jams, mofos: Secrets of Sunset Overdrive’s punktastic soundtrack

Digital Trends sits down with Insomniac Games' Marcus Smith for a look at the punk-fueled dynamic soundtrack the drives the action in Sunset Overdrive.
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Jake Clemons Blows Past E Street Band Expectations to Share His Own Very Personal Solo Story

Filling his uncle's size 16 boots as the E Street Band's sax man, Jake Clemons found a balance between honoring his predecessors and forging his own sound, which he now carries on to a new album: 'Fear & Love.'
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Modern hard rockers Alter Bridge get in tune with the political mood and streaming

Alter Bridge vocalist/guitarist Myles Kennedy talks about how the band’s latest album reflects the emotions a lot of people are feeling right now, as well as how streaming has gone from “shady” to being “the new frontier.”
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The Flaming Lips’ Wayne Coyne on stereo vs. surround, and working with Miley Cyrus

We spoke with audio experimenter and renowned rock star Wayne Coyne about The Flaming Lips’ new album, jamming with Miley Cyrus, and streaming vs. vinyl.
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How UB40 Featuring Ali, Astro & Mickey created ‘cuddly reggae’ by banishing bass

UB40 Featuring Ali, Astro & Mickey have sold over 70 million albums to date, and their new record promises to up that total. We speak with the band about how it eliminated bass for its latest album, and why it works.
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Ian Thornely tells us why Big Wreck sounds like a balls-out aural bouillabaisse

Big Wreck has extrapolated the best of Led Zeppelin, Foo Fighters, and Soundgarden and puréed those ingredients into a balls-out aural bouillabaisse all its own. In our exclusive interview, the rockers sound off on streaming, how to produce a great record, and what makes for a kick-ass concert.
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Alec Ounsworth won’t side with streaming over vinyl, but understands you might

Alex Ounsworth talks to us about his take on Vinyl vs. streaming, mixing tricks, and remastering 10-year old albums.
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Guitar monster John 5 on how he released an album, one song at a time, on YouTube

Guitarist John 5 discusses how he released an album one song at a time on YouTube.
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Jim Eno of Spoon gives us the scoop on ‘Hot Thoughts’ and streaming music

Spoon drummer Jim Eno talks with Digital Trends about the overall sonic template for Hot Thoughts, the band's first studio effort in three years, the ongoing importance of album sequencing in the streaming era, and more.
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For the Dollyrots, crowdsourcing fans free them from labels, keep them authentic

Luis Cabezas of the Dollyrots speaks with digital trends on how both vinyl and digital music have their time and place, and why crowdsourcing their fans keeps their music authentic.
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Spin it or stream it, Mastodon is thrilled if you hear their heavy, harmonic sound

How Mastodon divvies up vocal duties, embraces the streaming culture, and writes a potential hit without the intention of doing so.
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Dustin Bates of Starset thinks WAV could become the record player’s replacement

Digital Trends sits down with Dustin Bates of prog-rock band Starset to talk 360 degree VR mixing techniques, hi-res audio, and more.
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JC Brooks on how ‘The Neon Jungle’ straddles genres to retool the uptown funk sound

The uptown sound is still around, but now under JC Brooks own name. His new album, The Neon Jungle can succinctly be described as an album-length soundtrack for one crazy/incredible night out.
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How the Black Angels mixed Native American rhythms and angst for psychedelic bliss

Alex Mass of The Black Angels discusses going beyond psychedelia and tapping into Native American rhythms for an all new sound.
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How Hollis Brown ditched albums and found online success one single at a time

Roots-rockers Hollis Brown have mastered the art of modern-day music marketing — and their authentic tune stylings have just the right amount of musical moxie to back up their ambitions.
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How Amanda Palmer gave the music industry the finger with crowdfunding

The once and future queen of crowdfunding has a new collaboration with the legendary Edward Ka-Spel that is psychedelic, ethereal, and envelope-pushing in all the right ways.
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Less is more on ‘Something Else,’ The Cranberries’ greatest hits resurrected

The Cranberries recently decided to revisit their storied catalog on Something Else by stripping down their biggest tracks to a more raw, acoustic form, as accompanied by a string quartet.
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And then there were 3. Now a trio, Close Talker do more with less on ‘Lens’

The newly reconfigured three-piece Close Talker created aurally exciting angular, atmospheric tones on Lens, which built upon the initial promise of their 2014 debut, Flux.
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Oh, the inhumanity! Rich Robinson of Magpie Salute on the tragedy of autotune

The Magpie Salute, led by Rich Robinson, founding guitarist of The Black Crowes, grooves along like the best jam-masters do.